Workplace
We create workplaces designed for life - not just the 9 to 5. From a net zero office space in Southwark to an office at the heart of Manchester’s MediaCity, find the perfect fit for 10-150+ desks.
The Forge, Bankside
Inspired by its industrial past and built for the future, it’s our first net zero carbon workplace.
n2, Victoria
Part of the Nova campus, n2 is an oasis of calm in vibrant Victoria.
Lucent, Piccadilly
Bright and airy offices allow people to take in the inspiring cityscape, especially on the 20 outdoor terraces.
Dashwood, City of London
Dashwood is a boutique tower at an unrivalled City location, providing a unique choice of workspaces to meet customer needs today, and in the future.
140 Aldersgate, City of London
Located in the heart of a vibrant city location, 140 Aldersgate connects business and culture between Farringdon and Barbican.
Retail & Hospitality
We own and operate some of the UK's most renowned retail and hospitality destinations that connect brands with people.
Bluewater, Kent
Bluewater features a curated brand mix of retail and leisure experiences.
Gunwharf Quays, Portsmouth
With its unique waterfront location and maritime history, Gunwharf Quays offers warm hospitality alongside its premium retail and leisure experiences.
St David's, Cardiff
St David’s occupies one third of Cardiff’s city centre, and half of the city’s retail space, establishing it as the beating heart of the community.
Trinity, Leeds
The open-air experience under the iconic domed roof of Trinity Leeds spans over 1 million sq ft of prime retail and hospitality space.
Westgate, Oxford
Modernity meets history in the characterful Westgate Oxford, a stone’s throw away from the historic Oxford Castle Quarter.
Mixed-use regeneration
Working closely with communities and local authorities around the UK, we regenerate urban spaces into thriving places to live, work and play.
Mayfield, Manchester
Mayfield is a 24-acre brownfield site packed with heritage and the River Medlock flowing through its core.
The O2 Centre, Camden
The O2 Centre Masterplan will deliver a new mixed-use urban neighbourhood spanning 14-acres of currently underutilised space in Zone 2 London.
The Galleries, Glasgow
The Galleries, our vision for the redevelopment of Buchanan Galleries, is a once-in-a-generation opportunity to enhance the city centre as a magnetic place for homegrown talent and opportunity.
Lewisham Shopping Centre, Lewisham
We’re developing plans to shape a new centre for Lewisham. The plans will redefine the town centre – offering everyone better choices and new experiences that are firmly rooted in Lewisham's people and culture.
Hartree, Cambridge
Landsec and TOWN, working with Cambridge City Council and Anglian Water, are developing a vision for a new urban quarter in Cambridge.
About
We build and invest in buildings, spaces and partnerships to create sustainable places, connect communities and realise potential.
Impact report
Our 2022 impact report deep dives into the ways our places and activities are making a difference across the UK. From our economic contributions to the social and sustainable value we deliver, we recognise that the consequences of the actions we take as an organisation are both far-reaching and long-lasting.
The potential of sustainable retail
Sustainable retail has the potential to boost local UK economies by nearly £100m and grow brand revenues by up to 13%.
Investors
Discover the strategy that drives our success, as we create sustainable value for our three types of investor: institutional, private and debt.
2023 half year results
Land Securities Group PLC announced its half year results for the six months ended 30 September 2023 on Tuesday 14th November 2023.
Capital Markets Day - September 2023
We're hosting a Capital Markets Event for analysts and investors at our London office developments, Lucent at Piccadilly Circus and n2 in Victoria, which completed earlier this summer.
Sustainable urban places
Building on our competitive advantages. First to opportunities, in shape to act.
Sustainability
We're working to enhance the health of our environment and improve quality of life for our people, customers and communities - now, and for future generations.
Landsec Futures
Landsec Futures is a £20m fund that aims to deliver around £200m of social value by 2030, supporting at least 30,000 people from underrepresented socio-economic backgrounds towards long-term employment. It will also provide the chance to increase the diversity of talent across the industry and in our business.
Careers
Life at Landsec
We're shining a spotlight on some of the inspirational people that work for us as part of our Life at Landsec series.
Media & Insights
Reimagining the city for gender inclusivity
Hear more from Ellie Cosgrave about how we need to rethink our public spaces and challenge our existing assumptions about how to deliver cities which are successfully inclusive.
What does it take to transform a development into a memorable experience?
We speak to artist Saad Qureshi about the public art piece he created for our Nova development in Victoria, and he takes us through his vision, the process of creating ‘Places for Nova’, and the insights he gained from the project.
There are people who make art who want to be known as sculptors, or painters, or media artists, but I prefer the broader title of ‘artist’ because I work in various media. I’m more of an ideas-driven artist – I get the idea first, and then, depending on how it can be articulated best, I select my media.
Something my work tends to look at a lot is the constant state of becoming. We, along with the world, are constantly evolving, and our landscape echoes this ongoing process of development too. I’m also fascinated by the portability of the landscape and how the human mind acts as a vehicle that allows the landscape to travel from one place to another.
There wasn’t a defined brief, as such. Landsec explained that they were looking for some public art for this new development, and the shortlisted artists were invited to respond in whatever way they thought best. I believe they chose my proposal because it placed the public and locals at the heart of the art piece – something they are passionate about.
The idea for ‘Places for Nova’ stemmed from my fascination with landscapes and their constant evolution – I’m intrigued by the way spaces are transformed by their history and the elements around them. I wanted to draw on what was there before, and what might be there in 100 years’ time.
So I spent a couple of days a week around the Nova development in Victoria, asking the general public to donate a memory of a landscape that’s significant to them. I would ask them a series of questions about this place, and based on their verbal description only (no visuals!) I would then re-imagine the building, structure or landscape, before weaving all the different stories together to form a universal platform where they could all co-exist.
For example, I would get a memory of a bridge where a couple had first met each other. And even though they had described that particular bridge in great detail, it was important that I re-imagine it in a generic realm. The bridge has to stay as vague as possible, so that others can relate and project their own stories onto that bridge too.
In a way, the work opened up people’s private mindscapes to the wider public – so everyone can enjoy and interpret it in their own way, and gain a unique experience.
The way it draws on the stories and experiences of the community reminds me of London too. London is incredibly receptive and accepting of different cultures and people. And as people pour in from all around the world, they bring their own fragment of a landscape with them that they then project outwards. The result is a cultural landscape that seems familiar yet ever so slightly alien at the same time. That’s why I chose to work with red brick dust – it’s a Martian-like colour that brings a kind of ‘otherness’ to the mindscapes I was developing.
My initial instinct was to go big. But I soon realised that people are often more intrigued by things in miniature scale. They walk up to it, they get up close and they examine it. The smaller it is, the more their sense of curiosity is piqued.
That was a really exciting discovery for me. It’s something I’d never thought of before.
The interesting thing about gallery shows is that they’re in very controlled environments. The space and exhibition is all managed, and you have a pretty good idea of your audience and their mindset because you know they are seasoned gallery goers, used to reading the language of contemporary art.
However, as soon as you get outside of that comfort zone and put yourself out there in the public realm – it’s a completely different ball game. Anybody and everybody is going to get to see this work, and because they’re not from the art world, they are judging the work in a completely different way. The challenge is ten times greater.
Exhibiting in an outdoor space also taught me a lot about materials and techniques. Because this was going to be an outdoor piece, there were so many other elements I had to consider – things you don’t necessarily think about when you’re doing an indoor show. All the materials I used had to be water-proof and weather-proof, and we had a team of art and props specialists conduct all sorts of experiments on my work too.
Art humanises and animates the space around it.
While urban spaces and buildings are created by humans, they can seem very clinical and detached from human experience. Art brings the human touch into a space by sparking intrigue and curiosity, and it encourages interaction between people by acting as a conversation starter.
Great art can transform public places by triggering positive experiences and creating memories. That’s what I hope ‘Places for Nova’ achieves for Landsec.
Saad Qureshi’s ‘Places for Nova’ is on display at Landsec’s Nova development in Victoria until February 2018.
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